IRA ALDRIDGE
(1807-1867)
| It
is appropriate that the theatre of Howard
University, the "capstone of Negro education," be named after Ira Aldridge,
hailed as the "African Roscius" and a "capstone" in the annals of Theatre
and Dramatic history.
Aldridge was educated at
the African Free School, established in New York in 1787. Although Aldridge's
father intended that his son concentrate his talents towards religious
pursuits, Ira preferred the magic and gratification of the stage. |
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Aldridge's acting and producing
career, formally launched while still in his late teens, took him all over
the continent and Russia, and spanned an awesome period of over forty years.
His first major performance abroad was at the Coburg Theatre in London
in 1825. Within a few years, Aldridge, the "African Roscius," was obviously
destined for success and was never again billed as "American."
In addition to acting on
the professional European stage, Aldridge sought to educate all levels
of society with his one man program which he called "Grant Classic and
Dramatic Entertainment." In such programs, the "African Roscius" lectured
on Drama and performed excerpts from plays in his repertoire.
Aldridge's style of interpretation,
performance and production was highly realistic. On the stage, as well
as in his private life, he constantly sought to communicate racial equality.
During his long and diverse
career, Chevalier Aldridge, Knight of Saxony, was honored and decorated
by the governments of Haiti, Russia, Poland, Prussia and Hungary.
Ira Aldridge died in Lodz,
Poland on August 7, 1867.*
*For a detailed account
of Aldridge's career consult: Herbert Marshall and Mildred Stock, Ira Aldridge:
The Negro Tragedian, (Carbondale, Illinois: Southern University Press,
1968). |