Howard University has been a pioneer in the education of
African Americans. This holds true today as Howard is the first
Historically Black College or University to institute an approved dance
major program (December, 1993) in the College of Arts and Sciences
Division of Fine Arts Department of Theatre Arts. The quality,
offerings and representation of content, students, and faculty has been
extensive including noted visiting legendary artists and history makers
including , Pepsi Bethel Harold Pierson, Talley Beatty, Dr. Pearl E.
Primus, Carmen deLaVallade, Mary Hinkson, Walter Nicks, Joan Myers
Brown.
The students majoring in dance are in a major that
functions as an academic curriculum in an educational environment that
offers academic excellence in a well-rounded university academic
foundation and instructional content. The artistic quality the
physically technical affective base is strengthened by the intellectual
cognitive work and skills of development required in this intensely
structured program.
Because of the technical requirements and range of work
involved in dance as a performer, administrator, instructor, technician,
historian, critic, therapist, this program is structured to give
students an opportunity to develop and experience the magnitude of
professional expectations. The goal is to offer artistic and academic
quality and excellence that can only enhance a student’s capacity to be
well-rounded in preparation for the field, the global professional life
of work, and a level of readiness for the competitiveness of seeking
placement upon graduation which has been 100% for all graduates.
Dance as a performance art on stage, in theatre and film,
has always been energy of intricate footwork, complex rhythms,
spontaneous movement, and highly developed technical skills for
performing. As a pioneering university in the development of
leadership, dance at Howard University continues the mission by
selecting students, who not only demonstrate above average proficiency
in academic strength but also developing capabilities for bringing to
the stage a high quality artistry of dance in performance. As noted by
Washington Post critic in a review of one of the dance concerts:
...well-trained American dancers at the Howard University
Dance Concert...had stamina, precision and stage presence...their
sophistication allowed the artist to expand his choreography and let his
ideas flow....
Enrollment is with Acceptance of:
Howard University Office of Admissions 202-806-2700
Portfolio Review by Dance Major Coordinator 202-806-7052
Attendance/Full Participation in the Summer Dance Intensive
The Howard University Dance Major Program is the only
historically black college/university (HBCU) with Dance being offered as
a Major Art form and discipline of development.
The Program features:
cognitive and affective
language intellectual conversations and discussions
with major legendary and contemporary
artists including Dianne McIntyre,
Ronald K. Brown, Kevin Iega Jeff, Dr.
Kariamu Welsh
major on-stage performances
with Dayton Contemporary Dance Company
Evidence Dance Company, Forces of
Nature, Kankouran West African Dance Company
300 seat Ira Aldridge Theater
1500 seat Cramton Auditorium
core faculty members
with master skills in studio technique and longevity in the dance field
Assane
Konte Traditional African Dance Technique of
Senegal
Pat
Thomas Martha Graham Technique Master Teacher
Sandra
Fortune-Green Vaganova Ballet Technique
Katherine J.
Smith Lester Horton Technique
Sherrill Berryman
Johnson Katherine Dunham Technique
depth and definition,
analysis and visual documentation of our aesthetics as a
People of African Descent in the context of:
a
cross-cultural language of technique and choreography
vocabulary and dialogue
of aesthetics in motion
cultural
self-determination, self-definition and independence
The program reflects the retention of culture, the social
significance of roots and origin and a genre of dance that will continue
to be created and addressed through the development of a next generation
of prospective artists being guided by the most prolific artists and
choreographers in the Global Society of Dance.
The Dance Major
Program of Study is committed to fostering an environment that speaks to
quality and clarity in both academic standards and performance as it
involves research in thematic development, thereby understanding the
foundation of dance, the arts and how it is a moving art and voice to
the relationship of its people and their culture. The focus is to enable
these next generation African-American artists to speak with distinction
about themselves through the cultural language of dance.
The Howard
University Dance Major Pre-Professional Performance Ensemble is a
component of the Department of Theatre Arts Dance Major Program of Study
adhering to the mission statement of dedication to the continued growth
and development of preparing the next generation of African-Americans
entering the array of professions exclusive to dance arts including
former Howard University Dance Major Student HOPE BOYKIN
currently performing and choreographing with Alvin Ailey American Dance
Theatre.
Each performance
opportunity is with focus on a series of application and research
intensive courses leading to the development of a mind and body of
techniques that will serve as a foundation for strength in delivery of a
message. Choreographic works including “Take Me to the Water”
and “Testify” by Dr.
Sherrill Berryman Johnson, Coordinator/Artistic
Director Dance Major Area of Concentration,
are part of
several stages of development including grounding the students in the
Katherine Dunham Technique, the requirement to research while expanding
the “voice” of the vocabulary within language and movements indigenous
to the tradition of the Diaspora and the legacy of our people.
The Dance Major
Program of Study and Development in the Department of Theatre Arts BFA
program designed to professionally prepare these students for the
seriousness in focus for pursuing a career in the performing arts. The
major is structured to build the bodies with the technical information
and language that enhances them approaching the performance work as an
integral extension of a performer, writer, administrator, instructor,
technician, historian, critic and/or therapist. The performance
component gives students on-going exposure and experience in the
discipline by providing opportunities that offer self-evaluation,
faculty and national/international artists evaluations to build on the
preparation required in the field. The goal is to offer these dance
students “real life” artistic preparation for the dance field and the
global professional work force with a level of affective/cognitive
readiness and success as they stand strong in the face of life.
As the only HBCU
eleven year Board of Trustees approved major in Dance, Howard University
stands strong and in the forefront to no other. Students who are
selected and choose to maintain seeking an undergraduate degree in this
area of concentration work on self-discipline, consistency of
development and a willingness to be challenged in the Department of
Theatre Arts. The program builds, cultivates, and elevates the
affective and cognitive artistry of these students through a foundation
in dance that impacts their very being for who and what they are and
what they want to become.
Recognized
for both its physical and intellectual rigor, the Dance Major curriculum
is structured for the student who enters Howard University and this
major to be able to apply academically sound right hemisphere cognitive
skills individuals with minimum grade point averages from 3.0 to 4.0
while being able to utilize, integrate, synthesize their left hemisphere
capabilities of development through dance arts. These standards are
maintained by the selection including current 2005 freshman,
SADIYA CHIPHE one of our National Achievement Scholars
and sophomore SHOCCARA MARCUS, receiving February 2006, 2nd
place for her photography work in the Gallery of Art 75 Annual Art
Student Exhibition.
And students OTIS DONOVAN HERRING, LYNET
ROCHELLE, SHANNON JOHNSON,
MELISSA TYLER, NABOWIRE STOKES
traveling
December 2005-January 2006 to Mali and Senegal West Africa conducting
field research towards developing scholarly work with facilitation and
guidance of Dr. Sherrill Berryman Johnson and Professor Akua Kouyate.
The Dance Major
Students continue to develop educationally, socially and politically as
they demonstrate their multi-tasks human being character and ability to
confront their individual challenges, to work as a harmonious circle of
one and be able to accept the high demands and expectations of not only
themselves but dance as an art form functioning with the same standards
as the academic foundation and work demands of all the undergraduate,
graduate, and professional major offerings at the World Mecca of
Education for People of African Descent Howard University, Washington,
DC.
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