MISSION
and HISTORY
THE
INTERNATIONAL ASSOCIATION OF BLACKS IN DANCE preserves and promotes
dance by people of African ancestry or origin, and assists and increases
opportunities for artists in networking, funding, performance, education,
audience development, philosophical dialogue, touring and advocacy.
In 1991, an Emergency Fund was instituted for IABD
artists and companies. In 1996, it established a national scholarship-training
program for dancers. Through the annual conference it offers a multi-company
audition for dancers across the nation and the first of its kind. In January 1999, an Executive Director was appointed to carry
forth the vision and daily administrative operations of the organization.
The Association is committed to documenting and
addressing Black aesthetics in dance. It also educates younger generations
about contributions of Black artists in dance. As one avenue for accomplishing
these goals, the Association has established archives with the National
Afro-American Historical and Cultural Museum in Wilberforce, Ohio and with the
Afro-American Museum in Philadelphia, Pennsylvania.
The Association
and Conference were shaped by the presence of some of the most prominent individuals in
the Dance Community. Leaders included Jeraldyne Blunden, Dayton Contemporary Dance
Company; Chuck Davis, African American Dance Ensemble; Carmen de LaVallade,
Walter Nicks; Eleo Pomare, Eleo Pomare Dance Company; Cleo Parker Robinson,
Cleo Parker Robinson Dance; Rod Rodgers, Rod Rodgers Dance Company; Lula
Washington, Lula Washington Dance Company; Ann Williams, Dallas Black Dance
Company; Joan Gray, Muntu Dance Theatre; and Carol Foster, DC Youth Ensemble.
The International Association of Blacks in Dance
has developed national prominence and allowed the Black Dance Community to
come together on issues important to them.
Timekeepers of The Flame…Passing on The Torch
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